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ISRC

SEAER0961200

Süßer Trost, mein Jesus kömmt, BWV 151: V. Choral "Heut schleußt er wieder auf die Tür"

Song: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür"

Masaaki SuzukiBach Collegium Japan
Released 2009-04-01

Last verified:

SEAER0961200 is the International Standard Recording Code (ISRC) for the recording "Süßer Trost, mein Jesus kömmt, BWV 151: V. Choral "Heut schleußt er wieder auf die Tür"" by Masaaki Suzuki, Bach Collegium Japan, released 2009-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AERRegistrant
09Year (2009)
61200Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Süßer Trost, mein Jesus kömmt, BWV 151: V. Choral "Heut schleußt er wieder auf die Tür"" by Masaaki Suzuki?
The ISRC for "Süßer Trost, mein Jesus kömmt, BWV 151: V. Choral "Heut schleußt er wieder auf die Tür"" by Masaaki Suzuki, Bach Collegium Japan is SEAER0961200.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAER0961200?

SEAER0961200 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Süßer Trost, mein Jesus kömmt, BWV 151: V. Choral "Heut schleußt er wieder auf die Tür"" by Masaaki Suzuki, Bach Collegium Japan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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