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ISRC

SEAEQ0891100

Ich habe genung, BWV 82: V. Aria "Ich freue mich auf meinen Tod"

Song: Kantate, BWV 82a "Ich habe genug": V. Aria (Soprano) "Ich freue mich auf meinen Tod"

Carolyn SampsonMasaaki SuzukiBach Collegium Japan
Released 2008-10-01

Last verified:

SEAEQ0891100 is the International Standard Recording Code (ISRC) for the recording "Ich habe genung, BWV 82: V. Aria "Ich freue mich auf meinen Tod"" by Carolyn Sampson, Masaaki Suzuki, Bach Collegium Japan, released 2008-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AEQRegistrant
08Year (2008)
91100Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Ich habe genung, BWV 82: V. Aria "Ich freue mich auf meinen Tod"" by Carolyn Sampson?
The ISRC for "Ich habe genung, BWV 82: V. Aria "Ich freue mich auf meinen Tod"" by Carolyn Sampson, Masaaki Suzuki, Bach Collegium Japan is SEAEQ0891100.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAEQ0891100?

SEAEQ0891100 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ich habe genung, BWV 82: V. Aria "Ich freue mich auf meinen Tod"" by Carolyn Sampson, Masaaki Suzuki, Bach Collegium Japan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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