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ISRC

SEAEQ0841250

Cantata, BWV 85 "Ich bin ein guter Hirt": II. Aria "Jesus ist ein guter Hirt"

Song: Kantate, BWV 85 "Ich bin ein guter Hirt": II. Aria (Alt) "Jesus ist ein guter Hirt"

Robin BlazeMasaaki SuzukiBach Collegium Japan
Released 2008-04-01

Last verified:

SEAEQ0841250 is the International Standard Recording Code (ISRC) for the recording "Cantata, BWV 85 "Ich bin ein guter Hirt": II. Aria "Jesus ist ein guter Hirt"" by Robin Blaze, Masaaki Suzuki, Bach Collegium Japan, released 2008-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AEQRegistrant
08Year (2008)
41250Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cantata, BWV 85 "Ich bin ein guter Hirt": II. Aria "Jesus ist ein guter Hirt"" by Robin Blaze?
The ISRC for "Cantata, BWV 85 "Ich bin ein guter Hirt": II. Aria "Jesus ist ein guter Hirt"" by Robin Blaze, Masaaki Suzuki, Bach Collegium Japan is SEAEQ0841250.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAEQ0841250?

SEAEQ0841250 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantata, BWV 85 "Ich bin ein guter Hirt": II. Aria "Jesus ist ein guter Hirt"" by Robin Blaze, Masaaki Suzuki, Bach Collegium Japan. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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