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ISRC

SEAEN0278010

Symphony no. 4 in E-flat major, op. 48: I. Andante – Allegro moderato – Andante

Song: Symphony no. 4 in E-flat major, op. 48: I. Andante - allegro moderato

BBC National Orchestra of WalesTadaaki Otaka
Released 2003-10-28

Last verified:

SEAEN0278010 is the International Standard Recording Code (ISRC) for the recording "Symphony no. 4 in E-flat major, op. 48: I. Andante – Allegro moderato – Andante" by BBC National Orchestra of Wales, Tadaaki Otaka, released 2003-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AENRegistrant
02Year (2002)
78010Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Symphony no. 4 in E-flat major, op. 48: I. Andante – Allegro moderato – Andante" by BBC National Orchestra of Wales?
The ISRC for "Symphony no. 4 in E-flat major, op. 48: I. Andante – Allegro moderato – Andante" by BBC National Orchestra of Wales, Tadaaki Otaka is SEAEN0278010.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAEN0278010?

SEAEN0278010 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Symphony no. 4 in E-flat major, op. 48: I. Andante – Allegro moderato – Andante" by BBC National Orchestra of Wales, Tadaaki Otaka. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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