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String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto album cover

ISRC

SEAED2427070

String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto

Song: String Quintet no. 2 in G major, op. 111: IV. Vivace, ma non troppo presto

Gringolts QuartetLilli Maijala
Released 2024-06-14

Last verified:

SEAED2427070 is the International Standard Recording Code (ISRC) for the recording “String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto” by Gringolts Quartet, Lilli Maijala, released 2024-06-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
AEDRegistrant
24Year (2024)
27070Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto" by Gringolts Quartet?
The ISRC for "String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto" by Gringolts Quartet, Lilli Maijala is SEAED2427070.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SEAED2427070?

SEAED2427070 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “String Quintet no. 2 in G major, op. 111: IV. Vivace ma non troppo presto” by Gringolts Quartet, Lilli Maijala. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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