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ISRC

SE5Q51701112

You Got Me2

Song: YOU GOT ME

Daxten
unmatchedNot yet matched in the MLC database

Last verified:

SE5Q51701112 is the International Standard Recording Code (ISRC) for the recording “You Got Me” by Daxten. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

SECountry
5Q5Registrant
17Year (2017)
01112Designation
Country:
ISO 3166-1 alpha-2 country code (SE).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

JOHAN BÖRJESSONComposerLyricist
EPIDEMIC SOUND OriginalPublisher
MUSERK LLC RightsAdministrator

Who publishes this song?

EPIDEMIC SOUNDOriginalPublisher
MUSERK LLCRightsAdministrator

MLC Song Code

YA1PNN
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "You Got Me" by Daxten?
The ISRC for "You Got Me" by Daxten is SE5Q51701112.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC SE5Q51701112?

SE5Q51701112 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “You Got Me” by Daxten. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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