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ISRC

RUAAX2301119

Сельская честь: Дуэт Сантуццы и Туридду “Ah! lo vedi”

Song: Cavalleria rusticana: "Ah! Lo vedi che hai tu detto?" (Turiddu, Santuzza)

Елена ОбразцоваЗураб СоткилаваОркестр Большого театраАльгис Жюрайтис
Released 2023-01-01

Last verified:

RUAAX2301119 is the International Standard Recording Code (ISRC) for the recording "Сельская честь: Дуэт Сантуццы и Туридду “Ah! lo vedi”" by Елена Образцова, Зураб Соткилава, Оркестр Большого театра, Альгис Жюрайтис, released 2023-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

RUCountry
AAXRegistrant
23Year (2023)
01119Designation
Country:
ISO 3166-1 alpha-2 country code (RU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Сельская честь: Дуэт Сантуццы и Туридду “Ah! lo vedi”" by Елена Образцова?
The ISRC for "Сельская честь: Дуэт Сантуццы и Туридду “Ah! lo vedi”" by Елена Образцова, Зураб Соткилава, Оркестр Большого театра, Альгис Жюрайтис is RUAAX2301119.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC RUAAX2301119?

RUAAX2301119 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Сельская честь: Дуэт Сантуццы и Туридду “Ah! lo vedi”" by Елена Образцова, Зураб Соткилава, Оркестр Большого театра, Альгис Жюрайтис. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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