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Ayibobo (UN Chamber Music Society arrangement) (remix) album cover

ISRC

QZZ8B2591688

Ayibobo (UN Chamber Music Society arrangement) (remix)

UN Chamber Music SocietyBrenda VongovaFrancis Mercier
Released 2025-12-17

Last verified:

QZZ8B2591688 is the International Standard Recording Code (ISRC) for the recording "Ayibobo (UN Chamber Music Society arrangement) (remix)" by UN Chamber Music Society, Brenda Vongova, Francis Mercier, released 2025-12-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
Z8BRegistrant
25Year (2025)
91688Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Ayibobo (UN Chamber Music Society arrangement) (remix)" by UN Chamber Music Society?
The ISRC for "Ayibobo (UN Chamber Music Society arrangement) (remix)" by UN Chamber Music Society, Brenda Vongova, Francis Mercier is QZZ8B2591688.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZZ8B2591688?

QZZ8B2591688 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ayibobo (UN Chamber Music Society arrangement) (remix)" by UN Chamber Music Society, Brenda Vongova, Francis Mercier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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