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ISRC

QZWFG2526546

EVERYBODY'S LOVER (FROM ORIGINAL NEW ADDICTIONS SESSIONS)

Song: EVERYBODY'S LOVER

THE DRIVER ERA
unmatchedNot yet matched in the MLC database

QZWFG2526546 is the International Standard Recording Code (ISRC) for the recording “EVERYBODY'S LOVER (FROM ORIGINAL NEW ADDICTIONS SESSIONS)” by THE DRIVER ERA. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ELLINGTON RATLIFF, BRITTANY LEE BURTON, ROCKY LYNCH.

Format

QZCountry
WFGRegistrant
25Year (2025)
26546Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "EVERYBODY'S LOVER (FROM ORIGINAL NEW ADDICTIONS SESSIONS)" by THE DRIVER ERA?
The ISRC for "EVERYBODY'S LOVER (FROM ORIGINAL NEW ADDICTIONS SESSIONS)" by THE DRIVER ERA is QZWFG2526546.
Who wrote "EVERYBODY'S LOVER (FROM ORIGINAL NEW ADDICTIONS SESSIONS)"?
"EVERYBODY'S LOVER (FROM ORIGINAL NEW ADDICTIONS SESSIONS)" was written by ELLINGTON RATLIFF, BRITTANY LEE BURTON, ROCKY LYNCH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZWFG2526546?

QZWFG2526546 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “EVERYBODY'S LOVER (FROM ORIGINAL NEW ADDICTIONS SESSIONS)” by THE DRIVER ERA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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