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What Do You Do For A Living? I Do My Best album cover

ISRC

QZWFE2363860

What Do You Do For A Living? I Do My Best

Song: WHAT DO YOU DO FOR A LIVING? I DO MY BEST

IamnotshaneEmme
unmatchedNot yet matched in the MLC database
Released 2024-01-24

Last verified:

QZWFE2363860 is the International Standard Recording Code (ISRC) for the recording “What Do You Do For A Living? I Do My Best” by Iamnotshane, Emme, released 2024-01-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SHANE NIEMI, AGRIN RAHMANI, YEHONATAN ASPRIL.

Format

QZCountry
WFERegistrant
23Year (2023)
63860Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "What Do You Do For A Living? I Do My Best" by Iamnotshane?
The ISRC for "What Do You Do For A Living? I Do My Best" by Iamnotshane, Emme is QZWFE2363860.
Who wrote "What Do You Do For A Living? I Do My Best"?
"What Do You Do For A Living? I Do My Best" was written by SHANE NIEMI, AGRIN RAHMANI, YEHONATAN ASPRIL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZWFE2363860?

QZWFE2363860 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “What Do You Do For A Living? I Do My Best” by Iamnotshane, Emme. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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