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FREQUENCY album cover

ISRC

QZTLA2575014

FREQUENCY

D SMOKED SMOKE & LUCKY DAYED SMOKE LUCKY DAYELUCKY DAYELUCKY DAYE D SMOKE
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QZTLA2575014 is the International Standard Recording Code (ISRC) for the recording "FREQUENCY" by D SMOKE, D SMOKE & LUCKY DAYE, D SMOKE LUCKY DAYE, LUCKY DAYE, LUCKY DAYE D SMOKE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAVID DEBRANDON BROWN, DANIEL ANTHONY FARRIS, RODRIGO HERNANDEZ, and others.

Format

QZCountry
TLARegistrant
25Year (2025)
75014Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFREQUENCY
IPIDAVID DEBRANDON BROWN

People also ask

What is the ISRC for "FREQUENCY" by D SMOKE?
The ISRC for "FREQUENCY" by D SMOKE, D SMOKE & LUCKY DAYE, D SMOKE LUCKY DAYE, LUCKY DAYE, LUCKY DAYE D SMOKE is QZTLA2575014.
Who wrote "FREQUENCY"?
"FREQUENCY" was written by DAVID DEBRANDON BROWN, DANIEL ANTHONY FARRIS, RODRIGO HERNANDEZ, ANGELINA SHERIE FARRIS, MARVIN DAVID DELGADO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZTLA2575014?

QZTLA2575014 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FREQUENCY" by D SMOKE, D SMOKE & LUCKY DAYE, D SMOKE LUCKY DAYE, LUCKY DAYE, LUCKY DAYE D SMOKE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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