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ISRC

QZTAU2593796

Had it not been for hunger, my fangs would not have shown (oh you going to Jerusalem take me with you)

Basel AbbasRuanne Abou-Rahme
Released 2025-05-28

Last verified:

QZTAU2593796 is the International Standard Recording Code (ISRC) for the recording "Had it not been for hunger, my fangs would not have shown (oh you going to Jerusalem take me with you)" by Basel Abbas, Ruanne Abou-Rahme, released 2025-05-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
TAURegistrant
25Year (2025)
93796Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Had it not been for hunger, my fangs would not have shown (oh you going to Jerusalem take me with you)" by Basel Abbas?
The ISRC for "Had it not been for hunger, my fangs would not have shown (oh you going to Jerusalem take me with you)" by Basel Abbas, Ruanne Abou-Rahme is QZTAU2593796.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZTAU2593796?

QZTAU2593796 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Had it not been for hunger, my fangs would not have shown (oh you going to Jerusalem take me with you)" by Basel Abbas, Ruanne Abou-Rahme. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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