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MASS APPEAL (FEAT. MICHAEL PRINCE) album cover

ISRC

QZQAY2584149

MASS APPEAL (FEAT. MICHAEL PRINCE)

Song: MASS APPEAL

MALACHI HIT-BOY LARUSSELL
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QZQAY2584149 is the International Standard Recording Code (ISRC) for the recording “MASS APPEAL (FEAT. MICHAEL PRINCE)” by MALACHI HIT-BOY LARUSSELL. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LARUSSELL THOMAS, CHAUNCEY ALEXANDER HOLLIS, MALACHI MARTIN, and others.

Format

QZCountry
QAYRegistrant
25Year (2025)
84149Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMASS APPEAL (FEAT. MICHAEL PRINCE)
IPILARUSSELL THOMAS

People also ask

What is the ISRC for "MASS APPEAL (FEAT. MICHAEL PRINCE)" by MALACHI HIT-BOY LARUSSELL?
The ISRC for "MASS APPEAL (FEAT. MICHAEL PRINCE)" by MALACHI HIT-BOY LARUSSELL is QZQAY2584149.
Who wrote "MASS APPEAL (FEAT. MICHAEL PRINCE)"?
"MASS APPEAL (FEAT. MICHAEL PRINCE)" was written by LARUSSELL THOMAS, CHAUNCEY ALEXANDER HOLLIS, MALACHI MARTIN, MICHAEL PRINCE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZQAY2584149?

QZQAY2584149 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MASS APPEAL (FEAT. MICHAEL PRINCE)” by MALACHI HIT-BOY LARUSSELL. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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