Latex Gloves (Big Ghost Ltd version) album cover

ISRC

QZNYS2100250

Latex Gloves (Big Ghost Ltd version)2

Song: LATEX GLOVES

ConwayBig Ghost Ltd38 SpeshLloyd Banks
matched
Released 2024-02-16

Last verified:

QZNYS2100250 is the International Standard Recording Code (ISRC) for the recording “Latex Gloves (Big Ghost Ltd version) by Conway, Big Ghost Ltd, 38 Spesh, Lloyd Banks, released 2024-02-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DEMOND PRICE, 38 SPESH, LLOYD BANKS.

Format

QZCountry
NYSRegistrant
21Year (2021)
00250Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLatex Gloves (Big Ghost Ltd version)

People also ask

What is the ISRC for "Latex Gloves (Big Ghost Ltd version)" by Conway?
The ISRC for "Latex Gloves (Big Ghost Ltd version)" by Conway, Big Ghost Ltd, 38 Spesh, Lloyd Banks is QZNYS2100250.
Who wrote "Latex Gloves (Big Ghost Ltd version)"?
"Latex Gloves (Big Ghost Ltd version)" was written by DEMOND PRICE, 38 SPESH, LLOYD BANKS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZNYS2100250?

QZNYS2100250 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Latex Gloves (Big Ghost Ltd version) by Conway, Big Ghost Ltd, 38 Spesh, Lloyd Banks. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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