ISRC

QZNWS2141950

SO GOOD

Song: FAILED SO GOOD

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QZNWS2141950 is the International Standard Recording Code (ISRC) for the recording “SO GOOD. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NAAZ MOHAMMAD, TEV WOODS, WILLIAM HET HART.

Format

QZCountry
NWSRegistrant
21Year (2021)
41950Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NAAZ MOHAMMADComposerLyricist
BITS OF NAAZ OriginalPublisherIPI: 01028992534
KOBALT MUSIC PUB AMERICA INC SubPublisherIPI: 00503659557
TEV WOODSComposerLyricist
BITS OF NAAZ OriginalPublisherIPI: 01028992534
KOBALT MUSIC PUB AMERICA INC SubPublisherIPI: 00503659557
WILLIAM HET HARTComposerLyricist
BITS OF NAAZ OriginalPublisherIPI: 01028992534
KOBALT MUSIC PUB AMERICA INC SubPublisherIPI: 00503659557

Who publishes this song?

BITS OF NAAZOriginalPublisher
IPI: 01028992534
KOBALT MUSIC PUB AMERICA INCSubPublisher
IPI: 00503659557

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People also ask

What is the ISRC for "SO GOOD"?
The ISRC for "SO GOOD" is QZNWS2141950.
Who wrote "SO GOOD"?
"SO GOOD" was written by NAAZ MOHAMMAD, TEV WOODS, WILLIAM HET HART.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZNWS2141950?

QZNWS2141950 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SO GOOD. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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