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Lost the Love (ChopNotSlop remix) album cover

ISRC

QZNMX2491636

Lost the Love (ChopNotSlop remix)

Song: LOST THE LOVE

BigXthaPlugOG Ron C
matched
Released 2024-11-13

Last verified:

QZNMX2491636 is the International Standard Recording Code (ISRC) for the recording "Lost the Love (ChopNotSlop remix)" by BigXthaPlug, OG Ron C, released 2024-11-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CLARENCE HENRY REID, BRIAN MITCHELL, ETHAN HAYES, and others.

Format

QZCountry
NMXRegistrant
24Year (2024)
91636Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLost the Love (ChopNotSlop remix)
IPICLARENCE HENRY REID

People also ask

What is the ISRC for "Lost the Love (ChopNotSlop remix)" by BigXthaPlug?
The ISRC for "Lost the Love (ChopNotSlop remix)" by BigXthaPlug, OG Ron C is QZNMX2491636.
Who wrote "Lost the Love (ChopNotSlop remix)"?
"Lost the Love (ChopNotSlop remix)" was written by CLARENCE HENRY REID, BRIAN MITCHELL, ETHAN HAYES, XAVIER LANDUM, JAMES LEONNARD PRICE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZNMX2491636?

QZNMX2491636 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Lost the Love (ChopNotSlop remix)" by BigXthaPlug, OG Ron C. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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