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ISRC

QZK6P2043921

I AM TRUSTING THEE LORD JESUS

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QZK6P2043921 is the International Standard Recording Code (ISRC) for the recording "I AM TRUSTING THEE LORD JESUS". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRANCES R. HAVERGAL, E.W. W. BULLINGER.

Format

QZCountry
K6PRegistrant
20Year (2020)
43921Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FRANCES R. HAVERGALComposerLyricist
BRIDGE BUILDING MUSIC OriginalPublisher50.00%IPI: 00481784519
E.W. W. BULLINGERComposerLyricist
NEW SPRING PUBLISHING INC OriginalPublisher50.00%IPI: 00344473265

Who publishes this song?

BRIDGE BUILDING MUSICOriginalPublisher
IPI: 00481784519
NEW SPRING PUBLISHING INCOriginalPublisher
IPI: 00344473265
SourcesMLCNotesMusicBrainz3 sources

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People also ask

What is the ISRC for "I AM TRUSTING THEE LORD JESUS"?
The ISRC for "I AM TRUSTING THEE LORD JESUS" is QZK6P2043921.
Who wrote "I AM TRUSTING THEE LORD JESUS"?
"I AM TRUSTING THEE LORD JESUS" was written by FRANCES R. HAVERGAL, E.W. W. BULLINGER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZK6P2043921?

QZK6P2043921 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I AM TRUSTING THEE LORD JESUS". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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