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Thank God We Broke Up (acoustic) album cover

ISRC

QZHNC2275257

Thank God We Broke Up (acoustic)2

Song: THANK GOD WE BROKE UP

Julia Cole
unmatchedNot yet matched in the MLC database
Released 2022-06-03

Last verified:

QZHNC2275257 is the International Standard Recording Code (ISRC) for the recording “Thank God We Broke Up (acoustic)” by Julia Cole, released 2022-06-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JULIA MICHELLE COLE, STEVE BATTEY, JOSH RONEN, and others.

Format

QZCountry
HNCRegistrant
22Year (2022)
75257Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThank God We Broke Up (acoustic)
IPIJULIA MICHELLE COLE

People also ask

What is the ISRC for "Thank God We Broke Up (acoustic)" by Julia Cole?
The ISRC for "Thank God We Broke Up (acoustic)" by Julia Cole is QZHNC2275257.
Who wrote "Thank God We Broke Up (acoustic)"?
"Thank God We Broke Up (acoustic)" was written by JULIA MICHELLE COLE, STEVE BATTEY, JOSH RONEN, JULIA COLE, DAVID MESCON, COLE BURKETT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZHNC2275257?

QZHNC2275257 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Thank God We Broke Up (acoustic)” by Julia Cole. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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