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ISRC

QZES62181383

Deadweight

LowlifeTom BarberRheese PetersBen MasonJordan JamesAlex TerribleCJ McCreeryDuncan BentleyCJ McMahonBen DuerrJamie HanksDan Watson
Released 2021-03-28

Last verified:

QZES62181383 is the International Standard Recording Code (ISRC) for the recording "Deadweight" by Lowlife, Tom Barber, Rheese Peters, Ben Mason, Jordan James, Alex Terrible, CJ McCreery, Duncan Bentley, CJ McMahon, Ben Duerr, Jamie Hanks, Dan Watson, released 2021-03-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
ES6Registrant
21Year (2021)
81383Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Deadweight" by Lowlife?
The ISRC for "Deadweight" by Lowlife, Tom Barber, Rheese Peters, Ben Mason, Jordan James, Alex Terrible, CJ McCreery, Duncan Bentley, CJ McMahon, Ben Duerr, Jamie Hanks, Dan Watson is QZES62181383.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZES62181383?

QZES62181383 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Deadweight" by Lowlife, Tom Barber, Rheese Peters, Ben Mason, Jordan James, Alex Terrible, CJ McCreery, Duncan Bentley, CJ McMahon, Ben Duerr, Jamie Hanks, Dan Watson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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