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Deadweight album cover

ISRC

QZDA81982981

Deadweight

LowlifeCJ McCreeryBen DuerrJamie HanksCJ McMahonBen MasonAlex TerribleTom BarberDan WatsonJordan JamesDuncan BentleyRheese Peters
Released 2019-03-03

Last verified:

QZDA81982981 is the International Standard Recording Code (ISRC) for the recording “Deadweight” by Lowlife, CJ McCreery, Ben Duerr, Jamie Hanks, CJ McMahon, Ben Mason, Alex Terrible, Tom Barber, Dan Watson, Jordan James, Duncan Bentley, Rheese Peters, released 2019-03-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
DA8Registrant
19Year (2019)
82981Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Deadweight" by Lowlife?
The ISRC for "Deadweight" by Lowlife, CJ McCreery, Ben Duerr, Jamie Hanks, CJ McMahon, Ben Mason, Alex Terrible, Tom Barber, Dan Watson, Jordan James, Duncan Bentley, Rheese Peters is QZDA81982981.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZDA81982981?

QZDA81982981 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Deadweight” by Lowlife, CJ McCreery, Ben Duerr, Jamie Hanks, CJ McMahon, Ben Mason, Alex Terrible, Tom Barber, Dan Watson, Jordan James, Duncan Bentley, Rheese Peters. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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