So Close, Yet So Far Away album cover

ISRC

QZDA41875941

So Close, Yet So Far Away2

Song: SO CLOSE YET SO FAR AWAY

Junior Brown
unmatchedNot yet matched in the MLC database
Released 2018-05-24

Last verified:

QZDA41875941 is the International Standard Recording Code (ISRC) for the recording “So Close, Yet So Far Away by Junior Brown, released 2018-05-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
DA4Registrant
18Year (2018)
75941Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "So Close, Yet So Far Away" by Junior Brown?
The ISRC for "So Close, Yet So Far Away" by Junior Brown is QZDA41875941.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZDA41875941?

QZDA41875941 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “So Close, Yet So Far Away by Junior Brown. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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