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TILL I DIE FEAT CARTEL MGM album cover

ISRC

QZ9EM1791069

TILL I DIE FEAT CARTEL MGM

Song: TILL I DIE (FEAT. CARTEL MGM)

WAKA FLOCKA FLAME FEATURING CARTEL MGM
unmatchedNot yet matched in the MLC database
Released 2009-10-12

Last verified:

QZ9EM1791069 is the International Standard Recording Code (ISRC) for the recording “TILL I DIE FEAT CARTEL MGM” by WAKA FLOCKA FLAME FEATURING CARTEL MGM, released 2009-10-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUAQUIN MALPHURS, SAUL DAVID ORNELAS.

Format

QZCountry
9EMRegistrant
17Year (2017)
91069Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTILL I DIE FEAT CARTEL MGM
IPIJUAQUIN MALPHURS

People also ask

What is the ISRC for "TILL I DIE FEAT CARTEL MGM" by WAKA FLOCKA FLAME FEATURING CARTEL MGM?
The ISRC for "TILL I DIE FEAT CARTEL MGM" by WAKA FLOCKA FLAME FEATURING CARTEL MGM is QZ9EM1791069.
Who wrote "TILL I DIE FEAT CARTEL MGM"?
"TILL I DIE FEAT CARTEL MGM" was written by JUAQUIN MALPHURS, SAUL DAVID ORNELAS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ9EM1791069?

QZ9EM1791069 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TILL I DIE FEAT CARTEL MGM” by WAKA FLOCKA FLAME FEATURING CARTEL MGM. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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