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ISRC

QZ6KH1600006

Vão queimar ou botando pra dançar2

Song: VAO QUEIMAR OU BOTANDO PRA DANCAR

Arto Lindsay
unmatchedNot yet matched in the MLC database
Released 2017-01-06

Last verified:

QZ6KH1600006 is the International Standard Recording Code (ISRC) for the recording "Vão queimar ou botando pra dançar" by Arto Lindsay, released 2017-01-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QZCountry
6KHRegistrant
16Year (2016)
00006Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ARTO LINDSAYComposer
FIRMA LTD OriginalPublisher0.00%
BMG BUMBLEBEE RightsAdministrator100.00%IPI: 00722300987

Who publishes this song?

FIRMA LTDOriginalPublisher
BMG BUMBLEBEERightsAdministrator
IPI: 00722300987

MLC Song Code

VVAGSB
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Vão queimar ou botando pra dançar" by Arto Lindsay?
The ISRC for "Vão queimar ou botando pra dançar" by Arto Lindsay is QZ6KH1600006.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ6KH1600006?

QZ6KH1600006 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Vão queimar ou botando pra dançar" by Arto Lindsay. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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