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8.MAKE NO SENSE FT DUKE album cover

ISRC

QZ5FA1750525

8.MAKE NO SENSE FT DUKE

Song: MAKE NO SENSE

1GUNNAGUNNA
unmatchedNot yet matched in the MLC database
Released 2017-05-11

Last verified:

QZ5FA1750525 is the International Standard Recording Code (ISRC) for the recording "8.MAKE NO SENSE FT DUKE" by 1GUNNAGUNNA, released 2017-05-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ARNOLD MARTINEZ, WESLEY TYLER GLASS, BRYAN LAMAR SIMMONS, and others.

Format

QZCountry
5FARegistrant
17Year (2017)
50525Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC8.MAKE NO SENSE FT DUKE
IPIARNOLD MARTINEZ

Related

Songwriter profiles

ARNOLD MARTINEZIPIWESLEY TYLER GLASSIPIBRYAN LAMAR SIMMONSIPISERGIO KITCHENSIPI

People also ask

What is the ISRC for "8.MAKE NO SENSE FT DUKE" by 1GUNNAGUNNA?
The ISRC for "8.MAKE NO SENSE FT DUKE" by 1GUNNAGUNNA is QZ5FA1750525.
Who wrote "8.MAKE NO SENSE FT DUKE"?
"8.MAKE NO SENSE FT DUKE" was written by ARNOLD MARTINEZ, WESLEY TYLER GLASS, BRYAN LAMAR SIMMONS, SERGIO KITCHENS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ5FA1750525?

QZ5FA1750525 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "8.MAKE NO SENSE FT DUKE" by 1GUNNAGUNNA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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