ISRC

QZ22B1830256

"""SONG OF STORMS (FROM """"ZELDA: MAJORA'S MASK"""") [FOR FLUTE & PIANO DUET]"""

Song: SONG OF STORMS

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QZ22B1830256 is the International Standard Recording Code (ISRC) for the recording “"""SONG OF STORMS (FROM """"ZELDA: MAJORA'S MASK"""") [FOR FLUTE & PIANO DUET]""". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KOJI KONDO.

Format

QZCountry
22BRegistrant
18Year (2018)
30256Designation
Country:
ISO 3166-1 alpha-2 country code (QZ).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"""SONG OF STORMS (FROM """"ZELDA: MAJORA'S MASK"""") [FOR FLUTE & PIANO DUET]"""

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People also ask

What is the ISRC for """"SONG OF STORMS (FROM """"ZELDA: MAJORA'S MASK"""") [FOR FLUTE & PIANO DUET]""""?
The ISRC for """"SONG OF STORMS (FROM """"ZELDA: MAJORA'S MASK"""") [FOR FLUTE & PIANO DUET]"""" is QZ22B1830256.
Who wrote """"SONG OF STORMS (FROM """"ZELDA: MAJORA'S MASK"""") [FOR FLUTE & PIANO DUET]""""?
""""SONG OF STORMS (FROM """"ZELDA: MAJORA'S MASK"""") [FOR FLUTE & PIANO DUET]"""" was written by KOJI KONDO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QZ22B1830256?

QZ22B1830256 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “"""SONG OF STORMS (FROM """"ZELDA: MAJORA'S MASK"""") [FOR FLUTE & PIANO DUET]""". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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