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ISRC

QMVRR1630361

"UNDER PRESSURE (FROM ""GROSSE POINT BLANK"" & ""SCHOOL OF ROCK"")"

Song: UNDER PRESSURE

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QMVRR1630361 is the International Standard Recording Code (ISRC) for the recording ""UNDER PRESSURE (FROM ""GROSSE POINT BLANK"" & ""SCHOOL OF ROCK"")"". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROGER TAYLOR, BRIAN MAY, FREDDIE MERCURY, and others.

Format

QMCountry
VRRRegistrant
16Year (2016)
30361Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

FREDDIE MERCURYIPIJOHN RICHARD DEACONIPIDAVID BOWIEIPI

People also ask

What is the ISRC for ""UNDER PRESSURE (FROM ""GROSSE POINT BLANK"" & ""SCHOOL OF ROCK"")""?
The ISRC for ""UNDER PRESSURE (FROM ""GROSSE POINT BLANK"" & ""SCHOOL OF ROCK"")"" is QMVRR1630361.
Who wrote ""UNDER PRESSURE (FROM ""GROSSE POINT BLANK"" & ""SCHOOL OF ROCK"")""?
""UNDER PRESSURE (FROM ""GROSSE POINT BLANK"" & ""SCHOOL OF ROCK"")"" was written by ROGER TAYLOR, BRIAN MAY, FREDDIE MERCURY, JOHN RICHARD DEACON, DAVID BOWIE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMVRR1630361?

QMVRR1630361 is an International Standard Recording Code (ISRC) that uniquely identifies the recording ""UNDER PRESSURE (FROM ""GROSSE POINT BLANK"" & ""SCHOOL OF ROCK"")"". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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