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ISRC

QMUBV1700096

I'll Get By

Song: BALLAD MEDLEY: ALL THE THINGS YOU ARE / DEARLY BELOVED / THE NEARNESS OF YOU / I'LL GET BY (AS LONG AS I HAVE YOU) / EVERYTHING HAPPENS TO ME / THE MAN I LOVE / WHAT'S NEW

Jo Stafford
unmatchedNot yet matched in the MLC database
Released 2017-01-01

Last verified:

QMUBV1700096 is the International Standard Recording Code (ISRC) for the recording "I'll Get By" by Jo Stafford, released 2017-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
UBVRegistrant
17Year (2017)
00096Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainz

People also ask

What is the ISRC for "I'll Get By" by Jo Stafford?
The ISRC for "I'll Get By" by Jo Stafford is QMUBV1700096.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMUBV1700096?

QMUBV1700096 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I'll Get By" by Jo Stafford. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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