I'LL CLOSE MY EYES (FEAT. GARY VERSACE & CARMEN INTORRE) album cover

ISRC

QMPK42300241

I'LL CLOSE MY EYES (FEAT. GARY VERSACE & CARMEN INTORRE)

Song: I'LL CLOSE MY EYES

JOHN BASILE
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Last verified:

QMPK42300241 is the International Standard Recording Code (ISRC) for the recording "I'LL CLOSE MY EYES (FEAT. GARY VERSACE & CARMEN INTORRE)" by JOHN BASILE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BUDDY KAYE, BILLY REID.

Format

QMCountry
PK4Registrant
23Year (2023)
00241Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI'LL CLOSE MY EYES (FEAT. GARY VERSACE & CARMEN INTORRE)

People also ask

What is the ISRC for "I'LL CLOSE MY EYES (FEAT. GARY VERSACE & CARMEN INTORRE)" by JOHN BASILE?
The ISRC for "I'LL CLOSE MY EYES (FEAT. GARY VERSACE & CARMEN INTORRE)" by JOHN BASILE is QMPK42300241.
Who wrote "I'LL CLOSE MY EYES (FEAT. GARY VERSACE & CARMEN INTORRE)"?
"I'LL CLOSE MY EYES (FEAT. GARY VERSACE & CARMEN INTORRE)" was written by BUDDY KAYE, BILLY REID.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMPK42300241?

QMPK42300241 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I'LL CLOSE MY EYES (FEAT. GARY VERSACE & CARMEN INTORRE)" by JOHN BASILE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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