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ISRC

QMFMF1330173

PRELUDES, BOOK 1: NO. 10, LA CATHEDRALE ENGLOUTIE

Song: PRELUDES - BOOK 1 - LA CATHEDRALE ENGLOUTIE

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QMFMF1330173 is the International Standard Recording Code (ISRC) for the recording “PRELUDES, BOOK 1: NO. 10, LA CATHEDRALE ENGLOUTIE”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CLAUDE ACHILLE DEBUSSY (PROTECTED SHARES).

Format

QMCountry
FMFRegistrant
13Year (2013)
30173Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCPRELUDES, BOOK 1: NO. 10, LA CATHEDRALE ENGLOUTIE
IPICLAUDE ACHILLE DEBUSSY (PROTECTED SHARES)

Related

Songwriter profiles

CLAUDE ACHILLE DEBUSSY (PROTECTED SHARES)IPI

People also ask

What is the ISRC for "PRELUDES, BOOK 1: NO. 10, LA CATHEDRALE ENGLOUTIE"?
The ISRC for "PRELUDES, BOOK 1: NO. 10, LA CATHEDRALE ENGLOUTIE" is QMFMF1330173.
Who wrote "PRELUDES, BOOK 1: NO. 10, LA CATHEDRALE ENGLOUTIE"?
"PRELUDES, BOOK 1: NO. 10, LA CATHEDRALE ENGLOUTIE" was written by CLAUDE ACHILLE DEBUSSY (PROTECTED SHARES).
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMFMF1330173?

QMFMF1330173 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PRELUDES, BOOK 1: NO. 10, LA CATHEDRALE ENGLOUTIE”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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