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ISRC

QMFME2069417

CUÍDESE DE LA ENVIDIA

Song: CUIDESE DE LA ENVIDIA

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QMFME2069417 is the International Standard Recording Code (ISRC) for the recording "CUÍDESE DE LA ENVIDIA". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RICARDO ACOSTA ORTA LIOMAR, JOSE CARABANO, NOAH K ASSAD, and others.

Format

QMCountry
FMERegistrant
20Year (2020)
69417Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCUÍDESE DE LA ENVIDIA
IPIRICARDO ACOSTA ORTA LIOMAR

Related

Songwriter profiles

RICARDO ACOSTA ORTA LIOMARIPIJOSE CARABANOIPINOAH K ASSADIPIRAFAEL RICARDO JIMENEZIPIJENNIFER JIMENEZIPIANGEL LUIS ALEJANDRO AREVALO RODRIGUEZIPINELSON ANTONIO JR TINEOIPI

People also ask

What is the ISRC for "CUÍDESE DE LA ENVIDIA"?
The ISRC for "CUÍDESE DE LA ENVIDIA" is QMFME2069417.
Who wrote "CUÍDESE DE LA ENVIDIA"?
"CUÍDESE DE LA ENVIDIA" was written by RICARDO ACOSTA ORTA LIOMAR, JOSE CARABANO, NOAH K ASSAD, RAFAEL RICARDO JIMENEZ, JENNIFER JIMENEZ, ANGEL LUIS ALEJANDRO AREVALO RODRIGUEZ, NELSON ANTONIO JR TINEO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMFME2069417?

QMFME2069417 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "CUÍDESE DE LA ENVIDIA". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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