We Are Here album cover

ISRC

QMDA62309291

We Are Here2

Song: WE ARE HERE

Digo
unmatchedNot yet matched in the MLC database
Released 2024-01-19

Last verified:

QMDA62309291 is the International Standard Recording Code (ISRC) for the recording “We Are Here by Digo, released 2024-01-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

QMCountry
DA6Registrant
23Year (2023)
09291Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "We Are Here" by Digo?
The ISRC for "We Are Here" by Digo is QMDA62309291.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMDA62309291?

QMDA62309291 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “We Are Here by Digo. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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