ISRC

QMDA61310693

LA ABANDONÉ Y NO SABÍA (FEAT. ORQUESTA DE OSVALDO PUGLIESE & ROBERTO CHANEL)

Song: LA ABANDONE Y NO SABIA

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QMDA61310693 is the International Standard Recording Code (ISRC) for the recording “LA ABANDONÉ Y NO SABÍA (FEAT. ORQUESTA DE OSVALDO PUGLIESE & ROBERTO CHANEL). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSE CANET.

Format

QMCountry
DA6Registrant
13Year (2013)
10693Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLA ABANDONÉ Y NO SABÍA (FEAT. ORQUESTA DE OSVALDO PUGLIESE & ROBERTO CHANEL)

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People also ask

What is the ISRC for "LA ABANDONÉ Y NO SABÍA (FEAT. ORQUESTA DE OSVALDO PUGLIESE & ROBERTO CHANEL)"?
The ISRC for "LA ABANDONÉ Y NO SABÍA (FEAT. ORQUESTA DE OSVALDO PUGLIESE & ROBERTO CHANEL)" is QMDA61310693.
Who wrote "LA ABANDONÉ Y NO SABÍA (FEAT. ORQUESTA DE OSVALDO PUGLIESE & ROBERTO CHANEL)"?
"LA ABANDONÉ Y NO SABÍA (FEAT. ORQUESTA DE OSVALDO PUGLIESE & ROBERTO CHANEL)" was written by JOSE CANET.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMDA61310693?

QMDA61310693 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LA ABANDONÉ Y NO SABÍA (FEAT. ORQUESTA DE OSVALDO PUGLIESE & ROBERTO CHANEL). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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