ISRC

QMCE31701340

HOMIE (FEAT. MEEK MILL)

Song: HOMIE

YOUNG THUGCARNAGEYOUNG STONER LIFEMEEK MILL
matched
Released 2017-09-22

Last verified:

QMCE31701340 is the International Standard Recording Code (ISRC) for the recording "HOMIE (FEAT. MEEK MILL)" by YOUNG THUG, CARNAGE, YOUNG STONER LIFE, MEEK MILL, released 2017-09-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT RAHMEEK WILLIAMS, RYAN JONES, JEFFERY LAMAR WILLIAMS, and others.

Format

QMCountry
CE3Registrant
17Year (2017)
01340Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHOMIE (FEAT. MEEK MILL)

People also ask

What is the ISRC for "HOMIE (FEAT. MEEK MILL)" by YOUNG THUG?
The ISRC for "HOMIE (FEAT. MEEK MILL)" by YOUNG THUG, CARNAGE, YOUNG STONER LIFE, MEEK MILL is QMCE31701340.
Who wrote "HOMIE (FEAT. MEEK MILL)"?
"HOMIE (FEAT. MEEK MILL)" was written by ROBERT RAHMEEK WILLIAMS, RYAN JONES, JEFFERY LAMAR WILLIAMS, DIAMANTE ANTHONY BLACKMON, CHAUNCEY ALEXANDER HOLLIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QMCE31701340?

QMCE31701340 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "HOMIE (FEAT. MEEK MILL)" by YOUNG THUG, CARNAGE, YOUNG STONER LIFE, MEEK MILL. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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