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I'd Like To Love You Baby album cover

ISRC

QM7282560264

I'd Like To Love You Baby

Song: I'D LIKE TO LOVE YOU BABY

Waylon Jennings
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Last verified:

QM7282560264 is the International Standard Recording Code (ISRC) for the recording “I'd Like To Love You Baby” by Waylon Jennings. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by J. J. CALE.

Format

QMCountry
728Registrant
25Year (2025)
60264Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

J. J. CALEComposer
AUDIGRAM SONGS INC OriginalPublisher0.00%IPI: 00526076850
BMG PLATINUM SONGS SNGFLE/DIGI RightsAdministrator100.00%

Who publishes this song?

AUDIGRAM SONGS INCOriginalPublisher
IPI: 00526076850
BMG PLATINUM SONGS SNGFLE/DIGIRightsAdministrator

Credits Graph

SourcesApple Music

Verified on

People also ask

What is the ISRC for "I'd Like To Love You Baby" by Waylon Jennings?
The ISRC for "I'd Like To Love You Baby" by Waylon Jennings is QM7282560264.
Who wrote "I'd Like To Love You Baby"?
"I'd Like To Love You Baby" was written by J. J. CALE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM7282560264?

QM7282560264 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I'd Like To Love You Baby” by Waylon Jennings. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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