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ISRC

QM4TW2260098

GOD'S CREATION WILL BE RESTORED IN THE END OF TIMES

Song: GOD'S CREATION WILL BE RESTORED IN THE END OF TIME

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QM4TW2260098 is the International Standard Recording Code (ISRC) for the recording “GOD'S CREATION WILL BE RESTORED IN THE END OF TIMES”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ELIAS MARTINSEN.

Format

QMCountry
4TWRegistrant
22Year (2022)
60098Designation
Country:
ISO 3166-1 alpha-2 country code (QM).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ELIAS MARTINSENComposer
BEATSERVICE RECORDS OriginalPublisherIPI: 00522841273
N C B SCANDINAVIA RightsAdministrator

Who publishes this song?

BEATSERVICE RECORDSOriginalPublisher
IPI: 00522841273
N C B SCANDINAVIARightsAdministrator

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People also ask

What is the ISRC for "GOD'S CREATION WILL BE RESTORED IN THE END OF TIMES"?
The ISRC for "GOD'S CREATION WILL BE RESTORED IN THE END OF TIMES" is QM4TW2260098.
Who wrote "GOD'S CREATION WILL BE RESTORED IN THE END OF TIMES"?
"GOD'S CREATION WILL BE RESTORED IN THE END OF TIMES" was written by ELIAS MARTINSEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC QM4TW2260098?

QM4TW2260098 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “GOD'S CREATION WILL BE RESTORED IN THE END OF TIMES”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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