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ZAWSZE MOGĘ LICZYĆ NA album cover

ISRC

PLD111600103

ZAWSZE MOGĘ LICZYĆ NA

Song: ZAWSZE MOGE LICZYC NA

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PLD111600103 is the International Standard Recording Code (ISRC) for the recording “ZAWSZE MOGĘ LICZYĆ NA”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHAL TOMASZCZYK.

Format

PLCountry
D11Registrant
16Year (2016)
00103Designation
Country:
ISO 3166-1 alpha-2 country code (PL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MICHAL TOMASZCZYKComposer
ZAIKS MUSIC OriginalPublisher0.00%
MUSERK LLC OriginalPublisher75.00%
SIRENS SP. Z O.O. SP. K. OriginalPublisher0.00%IPI: 00801570373
MUSIC OF SCHUBERT OriginalPublisher25.00%IPI: 00696960283

Who publishes this song?

ZAIKS MUSICOriginalPublisher
MUSERK LLCOriginalPublisher
SIRENS SP. Z O.O. SP. K.OriginalPublisher
IPI: 00801570373
MUSIC OF SCHUBERTOriginalPublisher
IPI: 00696960283
SourcesMLC

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People also ask

What is the ISRC for "ZAWSZE MOGĘ LICZYĆ NA"?
The ISRC for "ZAWSZE MOGĘ LICZYĆ NA" is PLD111600103.
Who wrote "ZAWSZE MOGĘ LICZYĆ NA"?
"ZAWSZE MOGĘ LICZYĆ NA" was written by MICHAL TOMASZCZYK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC PLD111600103?

PLD111600103 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ZAWSZE MOGĘ LICZYĆ NA”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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