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Gnawar’n - ’gorrlaus slått’ (Arr. Setesdalen after Vidar Lande) album cover

ISRC

NOFZS1849070

Gnawar’n - ’gorrlaus slått’ (Arr. Setesdalen after Vidar Lande)

Rolf-Erik NystrømKouame SerebaNils ØklandJesús Fernández Baena
Released 2019-03-22

Last verified:

NOFZS1849070 is the International Standard Recording Code (ISRC) for the recording “Gnawar’n - ’gorrlaus slått’ (Arr. Setesdalen after Vidar Lande)” by Rolf-Erik Nystrøm, Kouame Sereba, Nils Økland, Jesús Fernández Baena, released 2019-03-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NOCountry
FZSRegistrant
18Year (2018)
49070Designation
Country:
ISO 3166-1 alpha-2 country code (NO).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Gnawar’n - ’gorrlaus slått’ (Arr. Setesdalen after Vidar Lande)" by Rolf-Erik Nystrøm?
The ISRC for "Gnawar’n - ’gorrlaus slått’ (Arr. Setesdalen after Vidar Lande)" by Rolf-Erik Nystrøm, Kouame Sereba, Nils Økland, Jesús Fernández Baena is NOFZS1849070.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NOFZS1849070?

NOFZS1849070 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Gnawar’n - ’gorrlaus slått’ (Arr. Setesdalen after Vidar Lande)” by Rolf-Erik Nystrøm, Kouame Sereba, Nils Økland, Jesús Fernández Baena. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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