Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro album cover

ISRC

NLY331603737

Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro

Song: PUBLIC DOMAIN TRACK

Rémy BaudetPieter-Jan BelderWilbert HazelzetMusica Amphion
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Released 2006-01-01

Last verified:

NLY331603737 is the International Standard Recording Code (ISRC) for the recording “Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro by Rémy Baudet, Pieter-Jan Belder, Wilbert Hazelzet, Musica Amphion, released 2006-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
Y33Registrant
16Year (2016)
03737Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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MLC Song Code

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What is the ISRC for "Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro" by Rémy Baudet?
The ISRC for "Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro" by Rémy Baudet, Pieter-Jan Belder, Wilbert Hazelzet, Musica Amphion is NLY331603737.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLY331603737?

NLY331603737 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro by Rémy Baudet, Pieter-Jan Belder, Wilbert Hazelzet, Musica Amphion. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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