Murder, Rape, Pilage, and Burn album cover

ISRC

NLWJ22500250

Murder, Rape, Pilage, and Burn

Song: MURDER, RAPE, PILLAGE, AND BURN

Abomination
matched
Released 1990-01-01

Last verified:

NLWJ22500250 is the International Standard Recording Code (ISRC) for the recording “Murder, Rape, Pilage, and Burn” by Abomination, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL SPECKMANN.

Format

NLCountry
WJ2Registrant
25Year (2025)
00250Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PAUL SPECKMANNComposer
SPECKMANN LTD OriginalPublisherIPI: 00341357578

Who publishes this song?

SPECKMANN LTDOriginalPublisher
IPI: 00341357578

Credits Graph

MLC Song Code

SourcesMusicBrainz

Verified on

People also ask

What is the ISRC for "Murder, Rape, Pilage, and Burn" by Abomination?
The ISRC for "Murder, Rape, Pilage, and Burn" by Abomination is NLWJ22500250.
Who wrote "Murder, Rape, Pilage, and Burn"?
"Murder, Rape, Pilage, and Burn" was written by PAUL SPECKMANN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLWJ22500250?

NLWJ22500250 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Murder, Rape, Pilage, and Burn” by Abomination. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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