Feel Good (radio edit) album cover

ISRC

NLS761300117

Feel Good (radio edit)2

Song: FEEL GOOD

Bass ModulatorsAudiotricz
matched
Released 2013-08-19

Last verified:

NLS761300117 is the International Standard Recording Code (ISRC) for the recording “Feel Good (radio edit) by Bass Modulators, Audiotricz, released 2013-08-19. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RICK BUIJTENHEK, LEON BENSCHOP, KENNETH KROES, and others.

Format

NLCountry
S76Registrant
13Year (2013)
00117Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RICK BUIJTENHEKComposer
LEON BENSCHOPComposer
KENNETH KROESComposer
ROLAND EVERSComposer

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Feel Good (radio edit)" by Bass Modulators?
The ISRC for "Feel Good (radio edit)" by Bass Modulators, Audiotricz is NLS761300117.
Who wrote "Feel Good (radio edit)"?
"Feel Good (radio edit)" was written by RICK BUIJTENHEK, LEON BENSCHOP, KENNETH KROES, ROLAND EVERS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLS761300117?

NLS761300117 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Feel Good (radio edit) by Bass Modulators, Audiotricz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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