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Solitary Ground (orchestral version) album cover

ISRC

NLP511500019

Solitary Ground (orchestral version)2

Song: SOLITARY GROUND

Epica
unmatchedNot yet matched in the MLC database
Released 2015-11-21

Last verified:

NLP511500019 is the International Standard Recording Code (ISRC) for the recording “Solitary Ground (orchestral version)” by Epica, released 2015-11-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by COEN J. JANSSEN, SIMONE J.M. SIMONS, MARKUS HJ MARK JANSEN, and others.

Format

NLCountry
P51Registrant
15Year (2015)
00019Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSolitary Ground (orchestral version)
IPICOEN J. JANSSEN

People also ask

What is the ISRC for "Solitary Ground (orchestral version)" by Epica?
The ISRC for "Solitary Ground (orchestral version)" by Epica is NLP511500019.
Who wrote "Solitary Ground (orchestral version)"?
"Solitary Ground (orchestral version)" was written by COEN J. JANSSEN, SIMONE J.M. SIMONS, MARKUS HJ MARK JANSEN, ADRIANUS AD SLUIJTER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLP511500019?

NLP511500019 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Solitary Ground (orchestral version)” by Epica. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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