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Camellia (Dmitry Molosh remix) album cover

ISRC

NLM1S1801198

Camellia (Dmitry Molosh remix)2

Song: CAMELLIA (DMITRY MOLOSH REMIX)

Aly & FilaFerry Corsten
unmatchedNot yet matched in the MLC database
Released 2018-10-01

Last verified:

NLM1S1801198 is the International Standard Recording Code (ISRC) for the recording “Camellia (Dmitry Molosh remix)” by Aly & Fila, Ferry Corsten, released 2018-10-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FERRY CORSTEN, FADI WASSEF NAGUIB, ALY FATHALLA.

Format

NLCountry
M1SRegistrant
18Year (2018)
01198Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCamellia (Dmitry Molosh remix)
IPIFERRY CORSTEN

People also ask

What is the ISRC for "Camellia (Dmitry Molosh remix)" by Aly & Fila?
The ISRC for "Camellia (Dmitry Molosh remix)" by Aly & Fila, Ferry Corsten is NLM1S1801198.
Who wrote "Camellia (Dmitry Molosh remix)"?
"Camellia (Dmitry Molosh remix)" was written by FERRY CORSTEN, FADI WASSEF NAGUIB, ALY FATHALLA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLM1S1801198?

NLM1S1801198 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Camellia (Dmitry Molosh remix)” by Aly & Fila, Ferry Corsten. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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