ISRC

NLHR51474071

'TIL A WOMAN COMES ALONG (ORIGINALLY PERFORMED BY CHRIS JANSON)

Song: TILL A WOMAN COMES ALONG

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NLHR51474071 is the International Standard Recording Code (ISRC) for the recording “'TIL A WOMAN COMES ALONG (ORIGINALLY PERFORMED BY CHRIS JANSON). ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHRIS P. JANSON, COLE A. DEGGES, PHILIP EUGENE O'DONNELL.

Format

NLCountry
HR5Registrant
14Year (2014)
74071Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC'TIL A WOMAN COMES ALONG (ORIGINALLY PERFORMED BY CHRIS JANSON)

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People also ask

What is the ISRC for "'TIL A WOMAN COMES ALONG (ORIGINALLY PERFORMED BY CHRIS JANSON)"?
The ISRC for "'TIL A WOMAN COMES ALONG (ORIGINALLY PERFORMED BY CHRIS JANSON)" is NLHR51474071.
Who wrote "'TIL A WOMAN COMES ALONG (ORIGINALLY PERFORMED BY CHRIS JANSON)"?
"'TIL A WOMAN COMES ALONG (ORIGINALLY PERFORMED BY CHRIS JANSON)" was written by CHRIS P. JANSON, COLE A. DEGGES, PHILIP EUGENE O'DONNELL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLHR51474071?

NLHR51474071 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “'TIL A WOMAN COMES ALONG (ORIGINALLY PERFORMED BY CHRIS JANSON). ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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