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ISRC

NLHR51387658

QUI, JE SUIS DE PARIS

Song: OUI JE SUIS DE PARIS

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NLHR51387658 is the International Standard Recording Code (ISRC) for the recording “QUI, JE SUIS DE PARIS”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PHILIPPE GABRIEL HIPPOLYTE EMM PARES, CASIMIR OBERFELD, LEOPOLD DE LIMA, and others.

Format

NLCountry
HR5Registrant
13Year (2013)
87658Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCQUI, JE SUIS DE PARIS
IPIPHILIPPE GABRIEL HIPPOLYTE EMM PARES

Related

Songwriter profiles

PHILIPPE GABRIEL HIPPOLYTE EMM PARESIPICASIMIR OBERFELDIPILEOPOLD DE LIMAIPIPIERRE BAYLEIPIGEORGES EUGENE EMILE VAN PARYSIPI

People also ask

What is the ISRC for "QUI, JE SUIS DE PARIS"?
The ISRC for "QUI, JE SUIS DE PARIS" is NLHR51387658.
Who wrote "QUI, JE SUIS DE PARIS"?
"QUI, JE SUIS DE PARIS" was written by PHILIPPE GABRIEL HIPPOLYTE EMM PARES, CASIMIR OBERFELD, LEOPOLD DE LIMA, PIERRE BAYLE, FERNAND VIMONT, GEORGES EUGENE EMILE VAN PARYS, L. E. DE FRANCESCO, PAUL FONTAINE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLHR51387658?

NLHR51387658 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “QUI, JE SUIS DE PARIS”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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