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Beginning of the End (Strange Arrival remix) album cover

ISRC

NLH3D2000076

Beginning of the End (Strange Arrival remix)2

Song: BEGINNING OF THE END

Dustrializer
matched
Released 2020-06-26

Last verified:

NLH3D2000076 is the International Standard Recording Code (ISRC) for the recording “Beginning of the End (Strange Arrival remix)” by Dustrializer, released 2020-06-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PETER FINNEMORE, NEIL STEPHEN ASH, NEIL STEPHEN ASH, and others.

Format

NLCountry
H3DRegistrant
20Year (2020)
00076Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Beginning of the End (Strange Arrival remix)" by Dustrializer?
The ISRC for "Beginning of the End (Strange Arrival remix)" by Dustrializer is NLH3D2000076.
Who wrote "Beginning of the End (Strange Arrival remix)"?
"Beginning of the End (Strange Arrival remix)" was written by PETER FINNEMORE, NEIL STEPHEN ASH, NEIL STEPHEN ASH, SIMON MANNING, PETER FINNEMORE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLH3D2000076?

NLH3D2000076 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Beginning of the End (Strange Arrival remix)” by Dustrializer. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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