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Proximus album cover

ISRC

NLF712504126

Proximus2

Song: PROXIMUS

Mauro PicottoBryan Kearney
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Last verified:

NLF712504126 is the International Standard Recording Code (ISRC) for the recording “Proximus” by Mauro Picotto, Bryan Kearney. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDREA REMONDINI, MAURO PICOTTO, KARL JENKINS, and others.

Format

NLCountry
F71Registrant
25Year (2025)
04126Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ANDREA REMONDINIComposer
MAURO PICOTTOComposer
KARL JENKINSComposer
MIKE RATLEDGEComposer
GIANFRANCO BORTOLOTTIComposer
RICCARDO FERRIComposer

MLC Song Code

P2027S
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Proximus" by Mauro Picotto?
The ISRC for "Proximus" by Mauro Picotto, Bryan Kearney is NLF712504126.
Who wrote "Proximus"?
"Proximus" was written by ANDREA REMONDINI, MAURO PICOTTO, KARL JENKINS, MIKE RATLEDGE, GIANFRANCO BORTOLOTTI, RICCARDO FERRI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF712504126?

NLF712504126 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Proximus” by Mauro Picotto, Bryan Kearney. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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