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BREEZE (DNS PROJECT REMIX) [FEAT. JASS] album cover

ISRC

NLF711101269

BREEZE (DNS PROJECT REMIX) [FEAT. JASS]

Song: THE BREEZE (COOL)

ALI FILAALY FILA
unmatchedNot yet matched in the MLC database
Released 2011-06-17

Last verified:

NLF711101269 is the International Standard Recording Code (ISRC) for the recording "BREEZE (DNS PROJECT REMIX) [FEAT. JASS]" by ALI FILA, ALY FILA, released 2011-06-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by IWAN G HETTEN VAN.

Format

NLCountry
F71Registrant
11Year (2011)
01269Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBREEZE (DNS PROJECT REMIX) [FEAT. JASS]
IPIIWAN G HETTEN VAN

People also ask

What is the ISRC for "BREEZE (DNS PROJECT REMIX) [FEAT. JASS]" by ALI FILA?
The ISRC for "BREEZE (DNS PROJECT REMIX) [FEAT. JASS]" by ALI FILA, ALY FILA is NLF711101269.
Who wrote "BREEZE (DNS PROJECT REMIX) [FEAT. JASS]"?
"BREEZE (DNS PROJECT REMIX) [FEAT. JASS]" was written by IWAN G HETTEN VAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF711101269?

NLF711101269 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BREEZE (DNS PROJECT REMIX) [FEAT. JASS]" by ALI FILA, ALY FILA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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