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ISRC

NLF058100150

Messe solennelle de Sainte Cécile: V. Sanctus

Song: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”

The Ambrosian SingersJessye NormanRoyal Philharmonic OrchestraSir Alexander Gibson
Released 1981-01-01

Last verified:

NLF058100150 is the International Standard Recording Code (ISRC) for the recording "Messe solennelle de Sainte Cécile: V. Sanctus" by The Ambrosian Singers, Jessye Norman, Royal Philharmonic Orchestra, Sir Alexander Gibson, released 1981-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
F05Registrant
81Year (1981)
00150Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1981):
Last two digits of the reference year (1981). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Messe solennelle de Sainte Cécile: V. Sanctus" by The Ambrosian Singers?
The ISRC for "Messe solennelle de Sainte Cécile: V. Sanctus" by The Ambrosian Singers, Jessye Norman, Royal Philharmonic Orchestra, Sir Alexander Gibson is NLF058100150.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLF058100150?

NLF058100150 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Messe solennelle de Sainte Cécile: V. Sanctus" by The Ambrosian Singers, Jessye Norman, Royal Philharmonic Orchestra, Sir Alexander Gibson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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