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COME BACK TONIGHT [MIX CUT] (FEAT. JAMES DARCY) album cover

ISRC

NLE711600527

COME BACK TONIGHT [MIX CUT] (FEAT. JAMES DARCY)

Song: COME BACK TONIGHT

SOMNA;YANG
unmatchedNot yet matched in the MLC database
Released 2016-11-11

Last verified:

NLE711600527 is the International Standard Recording Code (ISRC) for the recording "COME BACK TONIGHT [MIX CUT] (FEAT. JAMES DARCY)" by SOMNA;YANG, released 2016-11-11. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BENJAMIN LEUNG.

Format

NLCountry
E71Registrant
16Year (2016)
00527Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCOME BACK TONIGHT [MIX CUT] (FEAT. JAMES DARCY)
IPIBENJAMIN LEUNG

People also ask

What is the ISRC for "COME BACK TONIGHT [MIX CUT] (FEAT. JAMES DARCY)" by SOMNA;YANG?
The ISRC for "COME BACK TONIGHT [MIX CUT] (FEAT. JAMES DARCY)" by SOMNA;YANG is NLE711600527.
Who wrote "COME BACK TONIGHT [MIX CUT] (FEAT. JAMES DARCY)"?
"COME BACK TONIGHT [MIX CUT] (FEAT. JAMES DARCY)" was written by BENJAMIN LEUNG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLE711600527?

NLE711600527 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "COME BACK TONIGHT [MIX CUT] (FEAT. JAMES DARCY)" by SOMNA;YANG. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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