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5 Hungarian Folk Sons, BB 108, Sz. 101: No. 1. A tömlöcben album cover

ISRC

NLE422307501

5 Hungarian Folk Sons, BB 108, Sz. 101: No. 1. A tömlöcben

Song: Hungarian folksongs for voice & orchestra, Sz. 101, BB 108: No. 1, "Tömlöcben"

Magdalena KoženáCzech PhilharmonicSir Simon Rattle
Released 2023-10-13

Last verified:

NLE422307501 is the International Standard Recording Code (ISRC) for the recording "5 Hungarian Folk Sons, BB 108, Sz. 101: No. 1. A tömlöcben" by Magdalena Kožená, Czech Philharmonic, Sir Simon Rattle, released 2023-10-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
E42Registrant
23Year (2023)
07501Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "5 Hungarian Folk Sons, BB 108, Sz. 101: No. 1. A tömlöcben" by Magdalena Kožená?
The ISRC for "5 Hungarian Folk Sons, BB 108, Sz. 101: No. 1. A tömlöcben" by Magdalena Kožená, Czech Philharmonic, Sir Simon Rattle is NLE422307501.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLE422307501?

NLE422307501 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "5 Hungarian Folk Sons, BB 108, Sz. 101: No. 1. A tömlöcben" by Magdalena Kožená, Czech Philharmonic, Sir Simon Rattle. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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